Never let it be said that Banksy doesn't experiment. The street art king's latest piece is an origami crane painted on a wall in a sleepy coastal down in Dorset.
No, we wouldn't have believed it either, but the creation has appeared on his official website - the stamp of authenticity Banksy fans wait for whenever a new stencil appears.
The crane, which holds a goldfish in its mouth, was spotted on the side of a building on a country path next to the River Lym in Lyme Regis.
Aside from the unusually rural setting, the crane contains none of the wry social or political undertones that characterizes most of Banksy's work, including his other most recent piece, the sweatshop worker child making bunting on the side of a London Poundland.
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All of which leads us to wonder: is this Banksy turning over a new leaf as an artist?
The crane is a bird with a rich history of symbolism around the world, not least of all in the home of origami.
Japanese folklore believes the crane lives for 1,000 year and is a symbol of happiness, good luck and peace.
Perhaps, then, it's a simply an expression of pastoral joy, a love letter to the British countryside. Maybe, just maybe, Banksy is turning from political satire to a form of street art romanticism.
Will Ellsworth-Jones, author of the new Banksy biography The Man Behind the Wall, told HuffPost UK that he didn't know what to make of the meaning behind the crane, but described it as an unusual and highly accomplished piece.
"It's actually a very difficult stencil to do. Look at the way it's been designed to reflect in the water," he said.
"A lot of thought gone into it. It just goes to show what a master of the stencil Banksy is."
Either way, his efforts will be welcomed by the people of Lyme Regis. New artworks by Banksy have been known to raise house prices, not to mention give the local tourist industry a welcome boost.
Do you have any ideas about the meaning of the origami crane? Give us your views below.
Source: www.huffingtonpost.co.uk
Stunning artwork by Grimsby Institute degree students proves to be a draw - Grimsby Telegraph
HUNDREDS of people have flocked to see stunning work by the Grimsby Institute's art degree students.
Organisers said that the annual BA fine arts practice degree show was the busiest they have seen as it opened for preview on Friday.
The contemporary exhibition shows some of the best work done by 11 degree students currently training at Grimsby Institute.
Art technician Tanya Kennedy, who also did an art degree at Grimsby Institute, said: "This year's exhibition is already one of the busiest I have ever seen.
"There were at least 200 people who came in on the opening night. This is a very well supported exhibition and it seems to be getting more and more popular every year."
Exhibiting artist Abigail Noble said the opening night was "jam-packed".
"You could barely move for all the people inside and there was a great atmosphere.
"We were constantly washing wine glasses throughout the night and there were still hundreds to wash in the morning.
"Hopefully I will sell some of my work this week and the number of people through the door will definitely help", she added.
Martine Wainwright, who is also displaying work, said: "This will be my final exhibition here at the university which is a shame as it is a great space and I like to exhibit here.
"However, I already have a number of other exhibitions lined up for after I graduate."
Toke Dodge, 23, of Louth, came to have a look at the work on display.
"I had heard about a few of the pieces so I came along to see for myself.
"I am really impressed with what I have seen – they are very talented", he said.
The exhibition opened on Friday at the Institute's Cambridge Road campus and continues until Thursday, running from 10am to 4pm every day.
Source: www.thisisgrimsby.co.uk
Student artwork on exhibit at Gallery 625 - Davis Enterprise
Student work from two special Yolo County art programs will comprise two group shows opening Friday at Gallery 625 in the County Administration Building, 625 Court St. in Woodland.
The gallery’s main floor will offer “Colorful Screenprints: The Artists of TANA” and feature the work of student and teaching artists practicing the art of screen printing at TANA (Taller Arte del Nuevo Amanecer).
The second floor will be home to “Ceramic Portraits: Students of Einstein and Midtown Schools” created by Einstein Education Center and Midtown School students.
Located in Woodland, TANA is a community art center managed by the Chicana/o studies department at UC Davis. TANA offers a fully functioning silkscreen studio, Chicano/Latino arts exhibition space, and is also a teaching center working to cultivate the cultural and artistic life of the community.
The artists featured in “Colorful Screenprints” include UCD faculty, emeritus faculty, UCD graduates or undergraduates, a community artist and a Woodland Community College student. They are Carlos Jackson and Malaquias Montoya, TANA’s directors; Jaime Montiel, TANA artist in residence; Maceo Montoya, affiliated faculty; and staff members Gilda Posada, Roque Montez, Olivia Hernandez, Jose Chavez-Verduzco, Rocky Rojas and Eddie Lampkin.
Also located in Woodland, the Einstein Education Center and Midtown schools are operated by the Yolo County Office of Education, and provide an alternative education to students from across Yolo County. This arts education program is offered to students through a partnership with YoloArts’ ArtMix program and Safe Schools Healthy Students.
Professional artists JuliAnn Blanco, MaryAnn Kirsch, Susan Shelton and Joyce Winter were hired by YoloArts to teach watercolor, printmaking, drawing and ceramics to students this school year. The project culminated in the school’s first student art show earlier this month. It was positively received by the community and now is moving to Gallery 625.
“The experience of working with a professional artist was fantastic for the students as they not only had the opportunity to learn new skills and techniques in several media but were able to take a project from an initial idea to completed artwork on display, making it an authentic experience and not just a classroom exercise,” said Susan Cassady, alternative education director for the Yolo County Office of Education.
“Ceramic Portraits” will showcase the ceramic portraits created by Shelton’s students. They learned multiple methods for working with clay and were offered the opportunity to “… explore the idea of the many pieces that make up a person, and the changing nature of those pieces …” according to Shelton’s teaching artist statement.
The exhibition’s opening reception will be attended by many of the featured artists and students and will run from 5:30 to 8:30 p.m. Friday, coinciding with downtown Woodland’s First Friday Art Walk. The reception will also feature Turkovich Family Wines, sponsored by Roth Ranch.
At 7 p.m. Malaquias Montoya, professor emeritus at UCD, will offer a lecture and slide presentation on Chicano art and the murals of Yolo County, including his recently completed mural at the Student Community Center at UCD. The talk is expected to last about 45 minutes.
“Colorful Screenprints and Ceramic Portraits” will run through June 27 at Gallery 625, in the County Administration Building , 625 Court St. in Woodland.
Regular gallery viewing hours are 8 a.m. to 5 p.m. Mondays through Fridays. For more information, call YoloArts at (530) 406-4844, or visit www.yoloarts.org.
Short URL: http://www.davisenterprise.com/?p=180668
View this story on page A11
Source: www.davisenterprise.com
Yoko Ono promotes Lennon's artwork, on display in Oak Brook - Chicago Tribune
Yoko Ono was an established artist before she met John Lennon, but 31 years after her husband's murder, her career runs on two tracks: managing Lennon's work with and apart from the Beatles and pursuing her own idiosyncratic muse.
The curator side of her is bringing "The Artwork of John Lennon" to Oak Brook's DoubleTree hotel Friday through Sunday. The location's hook is that police in March of 1970 raided Merrill Chase's Oak Brook gallery and confiscated some of Lennon's work on obscenity grounds (Chicago Daily News headline: "Du Page court order: Lennon art to be burned").
Now Lennon's artwork is best known for being on baby blankets, pajamas and lamp shades, though we're likely not talking about the same images that got him in trouble.
The show, which benefits Gilda's Club Chicago for cancer support, will feature Lennon drawings, sketches and lyrics on display mostly in serigraphs (a type of print), as well as lithographs and some originals. (Ono won't be there.)
Meanwhile, the 79-year-old Ono received Austria'sprestigious Oskar Kokoschka Prize for contemporary art earlier this spring and is maintaining her own music career while expressing herself frequently to her 2.35 million Twitter followers. Sample tweets: "Count all the puddles on the street when the sky is blue" and "Imagine two billion universes. Visualize yourself on a planet in each universe."
In a phone conversation from New York, Ono talked about Twitter, the contrasts between her and her late husband's art, and her feelings about the Beatles and Paul McCartney.
Q: Do you write your own Tweets?
A: Oh, yes, of course. Nobody else does.
Q: Tell me about using Twitter to reach out to people.
A: Oh, I think it's a very beautiful thing that's happening because it's like haiku … kind of action haiku, shall we say? We communicate. We exchange. It's great.
Q: How do you balance the art that you're working on and John's art that you're promoting?
A: I really believe in John's work, and John's work should not be shelved. People should not remember him just for "I Want To Hold Your Hand" or something (laughs). I've been promoting his work quite extensively for the past, what, 30 years, is it?
Q: How do you balance the art-world aspects and the more commercial aspects of these Legacy art shows?
A: I'm hoping that I'm bringing it out in the way that it was in his spirit, you know, instead of saying, "Wow, let's make this into a real sort of commercial stuff." I can't do it that way, so it probably won't be that commercial, but there are many, many beautiful people who come to these shows. They might be already fans, but some people just come in and they're pretty surprised that something like this, which is pure and beautiful and fun, is still around — without being killed by commercialism.
Q: These are reproductions or lithographs or limited editions. How does that work?
A: OK, original and lithographs and serigraphs. Most of them are serigraphs.
Q: Has he signed them, or have you signed some of them for him?
A: His originals, of course, are signed by him, and the serigraphs are signed by me, yeah. I'm not signing his name. I'm just signing that this is authentic and we're putting it out, so I'm signing my name.
Q: Do you think that his art and your art have a similar message?
A: Similar message, yes, but in a very different way. We were expressing in a very different way.
Source: www.chicagotribune.com
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